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There's no better way for you to learn about poetry and understand its elements than with PERRINE'S SOUND AND SENSE. Both a concise introduction to poetry and an anthology, this classic best-seller succinctly covers the basics of poetry with chapters on evaluating poetry, exemplary poetry selections that you'll enjoy reading, and exercises that help you understand each selection. Every poem included in this collection is not only a perfect illustration of the poetic concept at hand, but a remarkable work in its own right.
- Sales Rank: #46388 in Books
- Brand: Brand: Thomson / Wadsworth
- Published on: 2007-06-01
- Original language: English
- Number of items: 1
- Dimensions: .73" h x 7.10" w x 8.50" l, 1.08 pounds
- Binding: Paperback
- 452 pages
- Used Book in Good Condition
Review
"Obviously, I love this text--have loved it now for 30 years. . . . I would not take very much out of what is here--it teaches so very well."
"These are all fine poems, to be sure."
"[Chapter 2] is one of my favorite chapters in the book. I remember it helping me over fifteen years ago when I first started teaching poetry at Moorhead State University, and I still find it immensely helpful for my students. I wouldn't change much here."
About the Author
Thomas R. Arp received a B.A. in English from the University of Michigan (1954) and a Woodrow Wilson Fellowship to Stanford University. In 1955-1956, he produced educational television for the University of Michigan. He received an M.A. in 1960 and a Ph.D. in 1962 -- both from Stanford. He taught at Bowdoin College, Princeton University, University of California at Berkeley, Hull University (England), and Southern Methodist University. Macmillan published his volume THE FORM OF POETRY in 1966, and he received a Fulbright lectureship at University of Bucharest (Romania) in 1969-1970. Arp joined Laurence Perrine in preparing revised editions of SOUND AND SENSE, STORY AND STRUCTURE, and LITERATURE: STRUCTURE, SOUND, AND SENSE beginning in 1982. He became sole author of the books in 1997 and was joined by Greg Johnson in 2002. Dr. Arp passed away in 2015.
Greg Johnson received an M.A. in English from Southern Methodist University and a Ph.D. in English from Emory University. Dr. Johnson is the author of 12 books of fiction, poetry, criticism, and biography, including LAST ENCOUNTER WITH THE ENEMY (Johns Hopkins, 2004), WOMEN I'VE KNOWN: NEW AND SELECTED STORIES (Ontario Review, 2007), the novel STICKY KISSES (Alyson Books, 2001), and several books on Joyce Carol Oates, including INVISIBLE WRITER: A BIOGRAPHY OF JOYCE CAROL OATES (Dutton, 1998) and JOYCE CAROL OATES: CONVERSATIONS 1970-2006 (Ontario Review, 2006). He joined the author team of PERRINE'S LITERATURE in 2002 and has been the sole author since Thomas Arp's passing in 2015.
Most helpful customer reviews
58 of 60 people found the following review helpful.
A Superb Introduction to Poetry and Poetic Form
By Michael Wischmeyer
I came across an early edition of Sound and Sense a few years ago. At first glance the slighty yellowed text appeared foreboding with chapters like denotation and connotation, imagery, figurative lanaguage, allusion, tone, rhythm and meter, sound and meaning, and so forth. I found it hard to imagine a less lifeless approach to poetry. However, the text did seem to contain a sizeable anthology as an appendix and poetry was abundant in every chapter. I reasoned that I could skip the poetic structure discussions and simply read the poetry.
But from the beginning I found Perrine's style and approach to be stimulating, rather than analytical. Throughout we are immersed in poetry, great poetry, familiar poetry, unfamiliar poetry. Perrine argues that poetry needs to be read and reread carefully for full understanding and appreciation. We need to learn to think about poetry with some seriousness, but not in a cold, calculating manner. We approach new poetry with our eyes and ears open, our senses alive.
Yes, as other reviewers point out, Sound and Sense is structured and does methodically explore poetic forms in some detail. But this is not a drawback. It is actually an aid to understanding. Perrine manages to achieve his instructional objective without diluting his central message: poetry is to be enjoyed. He never forgets that his subject is poetry, and not poetic form and structure.
I have since learned that Perrine's text is still in use today, nearly fifty years after publication of the first edition. (See recent 10th edition 0155073966, June 8, 2000.) How can that be? Few textbooks achieve ten printings, much less ten editions. Even the title change signifies respect; it is no longer simply Sound and Sense, it is "Perrine's Sound and Sense".
I highly recommend Perine's text to anyone willing to invest a little time and study to poetry. The return will be worthwhile. I give Sound and Sense five stars.
24 of 24 people found the following review helpful.
Excellent for use with students
By Brian C. Holly
I am currently using this book with 11th grade English students, and they have been truly caught up in it. We are actually having arguments in class over poetry!! I do find, however, that it is helpful to do the chapter on rhythm and meter much earlier than I would if I were following the chapters in order. My experience is that students have a difficult time hearing the rhythm of poetry and are generally unable to read aloud with any success. Jumping ahead early to the chapter on rhythm and meter and having the students tap out the meters and then mark the scansion produces a wonderful improvement in their ability to hear the poems and read them aloud. I would heartily recommend this book for use in grades 11 and 12, and for college freshman. It makes the study of poetry hugely enjoyable, as it should be but rarely is, for both student and teacher.
0 of 0 people found the following review helpful.
Excellent condition
By Paul M. Deines
The book arrived in excellent condition.
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